This book offers a vital contribution to the study of women in classical music, focusing on composer Maria Hester Park. It addresses a significant gap in scholarship on late 18th- and early 19th-century women composers, examining Park’s life, keyboard works, influence within London’s cultural milieu, and professional networks within a male-dominated musical world. The book explores her performances, engagement with subscription publishing, and the societal expectations shaping female musical accomplishments, encouraging a broader recognition of women’s artistic legacies from this period.
1. “Beloved by All Who Had the Advantage of Knowing Her”
1.1 Harmonies of Life: Marriage, Music, and Cultural Influence
2. Performing and Teaching in the Heart of London’s Cultural Life
2.1 London’s Concert Life
2.2 Public Concert Performances
2.3 Teaching the Nobility and Female Musical Training
3. Composing for the Keyboard and the Cultivation of Female Accomplishments
3.1 Maria Hester Park’s Compositions
3.2 The Keyboard Instrument
4. Publishing with Subscription
4.1 The Subscription Method
4.2 The Subscription of Park’s Works
5. The Glees
5.1 The English Glee
5.2 Park’s Glees
6. The Concerto for the Pianoforte or Harpsichord
6.1 The Keyboard Concerto
6.2 Park’s Concerto
7. Solo Keyboard Sonatas Opp. 2, 4, and 7
7.1 The Sonata
7.2 Sonatas Op. 2
7.3 Sonatas Op. 4
7.4 Sonata Op. 7
8. The Waltz, Divertimentos Op. 8, and Sonata Op. 12
8.1 The Waltz
8.2 Six Easy Divertimentos for the Harp and Pianoforte, Op. 8
8.3 A Sonata for the Pianoforte, Op. 12
9. Accompanied Keyboard Works
9.1 The Accompanied Keyboard Sonata
9.2 Park’s Divertimento
9.3 The Sonatas Op. 1
9.4 The Sonatas Op. 13
9.5 The Sociological Factor
9.6 The Accompanied Sonata and the “New Woman”
10. Maria Hester Park and Her Women Composer Colleagues
10.1 Women Composers in England
10.2 The Confusion with Maria F. Parke
10.3 The “Woman Composer” Question Revisited
Bibliography
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