The culture of hip-hop shifted dramatically soon after the first wave of studio-recorded vinyl releases at the turn of the 1980s. Drawing upon science fiction, electro, and Afrofuturism, this book presents a sociocultural study of their impact and influence on the formative years of recorded hip-hop.
de Paor-Evans reveals a parallel and occasionally dialectical evolution of hip-hop music spawned from transatlantic, transdisciplinary, and transcultural engagements and unearths linkages between innovations in music technology, fantasy, folklore, arcade and video gaming, non-white diasporas, and transglobal politics of the time.
Historically located between 1982 and 1987, the book takes exemplary well-known and equally obscure records from both sides of the Atlantic. It makes visible the greater significance of formative and future hip-hop culture in other musics and broader society.
Glossary of Terms
Acknowledgements
Preface
Introduction: Locating The Narrative
1. Electro Rap as Progressive Praxes
2. Journeys of the Protagonist
3. The Fantastical, the Mythological and Socio-spatial Context
4. Directions of Travel: Past, Present and Future in Hip Hop and Broader Society
Conclusions: Towards a New Futurism
Afterword: New Technologies and Creative Potential
References
Index
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