Few of us ponder the mechanisms behind our eyes. We simply expect them to capture the world around us. But for many people, injuries, illnesses, aging, and other health issues can hinder their ability to see and navigate their world. When it comes to maps, assistive technology can only do so much, often lacking the subtle nuances of a landscape, changes in elevation, or the presence of nearby bodies of water. This lack of a geographical overview impedes not only exploration of unfamiliar neighborhoods but also a more general geospatial understanding of local, regional, and international phenomena.
Tactile maps can be life-changing for people with visual impairments, offering them greater independence and inclusion. Yet much of the research done in the field of education for the blind has remained inaccessible to a broader audience. Tactile Mapping: Cartography for People with Visual Impairments aims to bridge this gap by exploring the subject from a multidisciplinary perspective, illustrating cartographic theory with real-life case studies and user stories.
A collaboration by skilled professionals, domain experts, and people with visual impairments, Tactile Mapping offers fresh insights from three perspectives: user experience, scientific research, and practical implementation. Through this collection of expert-written chapters, case studies, and user stories, cartographers and other geographic practitioners can gain new insights into the foundations and methods of presenting geographic information for greater accessibility.
Topics include:
The role of maps in shaping our perception of the world
Best practices in tactile map design, including an understanding of tactile perception
Complex geographic data and the importance of abstraction, generalization, and content selection
The need for map design processes to be user centered
Different output media for tangible maps and geographic models
Cartography not only helps us better understand the world but also helps us convey that knowledge to others. Tactile Mapping: Cartography for People with Visual Impairments explains and demonstrates how mapmakers can and are being intentional and inclusive with their designs.
FOREWORD (Jack Dangermond)
FOREWORD (Marek Kalbarczyk)
PART 1: INTRODUCTION
Living without sight (Ellen Zieleman)
Chapter 1: From visual to tactile: Societal attitudes and
accessible information (Vincent van Altena)
PART 2: MAPS AND PERCEPTION
Defying darkness (Ran Nitka)
Chapter 2: The relevance of maps in understanding our world
(Georg Gartner)
Chapter 3: Understanding through touch (Astrid Kappers)
The development of tactile mapping in Norway (Carl William
Lund and Henrik Gulliksen Schüller)
Dreams become a goal (Ashna Abdulrahman Kareem Zada)
PART 3: DESIGNING TACTILE MAPS
A journey beyond knowledge (Petr Novák)
Chapter 4: Map symbol design: Visual and haptic variables
(Amy L. Griffin)
Chapter 5: Map design and cognition (Jakub Wabiński and
Simon Ungar)
Chapter 6: Generalization for tactile maps (Guillaume Touya)
Tactile maps of historic gardens (Jakub Wabiński)
Making the invisible visible (Shirly Goldner)
PART 4: USERS AND EDUCATION
Completely lost without maps (Leydiane Cristina Santana)
Chapter 7: User-centered and inclusive cartographic design
(Robert Roth, Merve Keskin, and Zdeněk Stachoň)
Chapter 8: Learning
geography when you’re blind (Carla Cristina Reinaldo Gimenes de Sena and
Waldirene Ribeiro do Carmo)
Chapter 9: Training in orientation and mobility (Petr
Červenka)
A collaborative approach to tactile mapping in the
Netherlands (Jolijn Jansen)
Tactile world thematic map (Young-Hoon Kim)
PART 5: RELIABLE OUTPUT
We drop things at the same rate (Dorothy Atieno Lensa)
Chapter 10:
Accessible media (Radek Barvíř, Alena Vondráková, and Jan Brus)
Chapter 11: Methodical reflections (Albina Mościcka)
3D printed cartography in East Africa (Samuel Foulkes and
Quentin Roa)
Optimized route planning for blind pedestrians (Sagi Dalyot
and Achituv Cohen)
Maps aren’t just a fun gimmick (Parham Doustdar)
CONCLUSION (Vincent van Altena and Jakub Wabiński)
I finally belong (Ellen Zieleman)
ACKNOWLEDGMENTS
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