IntroductionMargaret Morgan Grasselli, Elizabeth Savage: Part I: Materials and Techniques Printing Colour in 18th-Century Europe Margaret Morgan Grasselli, Elizabeth Savage: Tools, Machines, and Presswork for Printing Colour in 18th-Century Europe Elizabeth Savage: Colour Printing Inks and Colour Inking in 18th-Century Europe Part II Relief Techniques: Letterpress, and Colour Woodcut Ad Stijnman: Colour Letterpress in Europe in the Long 18th Century Simon Turner: Elisha Kirkall and his Proposals for Printing in Chiaroscuro, Natural Colours and Tints, 1720-1740 Tico Seifert: Printing Chiaroscuro and Colour Woodcuts in Paris, Venice, and London c.1725-70 Sid Berger, Michèle Cloonan: Bringing Colour to Books and Objects with Decorated Paper in the Long 18th Century Rob Banham: Colour for Commerce: Letterpress-Printed Ephemera in Britain, 1700-1830 Part III Mezzotint and Trichromatic Printing Elizabeth Savage: The Politics of Process Mezzotint: Jacob Christoff Le Blon's Reputation, 1700-89 Dionysia Christoforou, Manon van der Mullen, Victor Gonzalez: From Colour Theory to Colour Practice: Printmakers in Pursuit of the Ideal Pigments in 18th-Century Europe Julia Nurse: Colouring the Body: Printed Colour in Medical Treatises during the Long Eighteenth Century Alice Nicoliello: Colour Printing in Late 18th-Century Italy: Édouard and Louis Dagoty, 1770-1800 Part IV Chalk, Pastel and Watercolour Manner, and Aquatint Margaret Morgan Grasselli: Printed Paintings and Engraved Drawings: Technical Innovations in Colour Printing in 18th-Century France Benedetta Spadaccini: Coloured Prints in Imitation of Old Master Drawings in 18th-Century Italy: Anton Maria Zanetti the Elder, Benigno Bossi, Francesco Rosaspina and their Contemporaries Rena Hoisington: François-Philippe Charpentier and the Development of Aquatint in France in the 1760s Chiara Palandri: A Voyage pittoresque in Norway through Colour Prints, 1789-c.1815 Corinne Le Bitouzé: The Market for Colour Prints in Paris at the End of the 18th Century Margaret Morgan Grasselli: Multiple-Plate Colour Prints and the Problems of Variant Impressions, Missing Plates, and Disappearing Inks Part V Stipple and a la Poupée David Alexander: English Colour-Printed Stipple Engravings, 1774-1800 Zalina Tetermazova: Between Painting and Graphic Arts: Colour Printmaking in Russia, 1750s-1800s Geert-Jan Janse: Anne Allen, Jean Pillement, and the Development of à la poupée Printing in France Karen Cook: The Contribution of à la poupée-inked Colour Printing to Natural History Illustration in France, 1800-1870 Part VI Consumer Goods and Expanding Markets for Colour Printing Ad Stijnman: Anatomy to Embroidery: Intaglio Colour-Printed Illustrations in European Books and Periodicals, 1700-1850 Susan Greene: Early Dye-Patterned Colour on Calico in Europe, 1600-1840 Phillippa Mapes: Printed Wallpaper in England in the Long Eighteenth Century Patricia Ferguson: Colour Printing on English Ceramics, 1751-70 Part VII Technical Experimentation and Industrialisation Michael Phillips: William Blake's Colour Printing: Methods & Materials Michael Twyman: Innovation and Tradition in Early 19th-Century Colour Printing Michael Twyman: The Beginnings of Commercial Colour Printing in Europe, 1835-1840

• History of art: pre-history

• History of art & design styles: c 1600 to c 1800

• History of art & design styles: c 1800 to c 1900

• Prints & printmaking

• General (US: Trade)

Height:185
Width:215
Spine:30
Weight:1783.00