Haunted Histories and Troubled Pasts
Twenty-First-Century Screen Horror and the Historical Imagination

Edited by Dr. Stephanie Green,Dr. Amanda Howell

ISBN13: 9781501394409

Imprint: Bloomsbury Academic USA

Publisher: Bloomsbury Publishing PLC

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Published: 16/05/2024

Availability: POD

Description
Haunted Histories and Troubled Pasts speaks to how a transnational array of recent screen entertainments participate, through horror, in public discourses of history, the social and creative work of reshaping popular understanding of our world through the lens of the past. Contemporary film and television – and popular screen cultures more generally – are distinguished by their many and varied engagements with history, including participation in worldwide movements to reconcile past losses and injuries with present legacies. The chapters in this collection address themselves to 21st-century screen horror's participation in this widespread fascination with and concern for the historical - its recurrent reimagining of the relation between the past and present, which is part of its inheritance from the Gothic. They are concerned with the historical work of horror’s spectral occupations, its visceral threats of violence and its capacity for exploring repressed social identities, as well as the ruptures and impositions of colonization and nationhood. Trauma is a key theme in this book, examined through themes of war and genocide, ghostly invasions, institutionalized abuse, apocalyptic threat and environmental destruction. These persistent, fearful reimaginings of the past can take many lurid – sometimes tritely generic – forms. Together, these chapters explore and reflect upon horror’s ability to speak through them to the unspoken of history, to push the boundaries and probe the fault-lines and ideological impositions of received historical narratives – while reminding us that history and the historical imagination persist as sites of contention.
Acknowledgements List of Editors and Contributors 1. Introduction: History, Historiography and Horror in the Twenty-first Century Amanda Howell (Griffith University, Australia) and Stephanie Green (Griffith University, Australia) Part 1: Spectral Encounters and Haunted Histories 2. Ghosts, Vampires and Sacrilege in Warwick Thornton’s The Darkside, Firebite and The New Boy Felicity Collins (La Trobe University, University) 3. Undead Heritage: Environmental Trauma and Curses that Never Die in Takashi Shimizu’s ‘Village’ Trilogy Simon Bacon (Independent Scholar, Poland) 4. Deferred Demons: Diasporizing the Haunted Home in Babak Anvari’s Under the Shadow David Ellison (Griffith University, Australia) and Zach Karpinellison (Australian National University) Part 2: Found Footage Horrors 5. 'It’s Too Late for All of Us': Ritual, Repression and the Historical Imagination in Noroi: The Curse Jeremy Kingston (Griffith University, Australia) 6. Congruent Apprehensions of History in Irish Horror Cinema Stephen Joyce (Aarhus University, Denmark) Part 3: History and Horror in Televisual Storyworlds 7. Lace Collars and Cowboy Cravats: Gothic Time-travelling with Penny Dreadful and The Nevers Stephanie Green (Griffith University, Australia) 8. Pretty Ballads, Bastard Truths: History, Memory and the Past in The Witcher Agnieszka Stasiewicz-Bienkowska (Jagiellonian University, Poland) 9. ‘Brings Back Some Memories’: Spectres of History in Twin Peaks: The Return Martin Fradley (University of Aberdeen and University of Manchester, UK) and John A. Riley (Solbridge International School of Business, South Korea) Part 4: Female Monsters and Revolting Women 10. ‘We’re Americans’: Remembering the ‘Other America’ in Jordan Peele’s Us Amanda Howell (Griffith University, Australia) 11. ‘Cut Them Up’: Lily Frankenstein, Valerie Solanas and the Reanimation of Radical Feminism in Penny Dreadful Anthea Taylor (University of Sydney, Australia) Part 5: Engaging the Past through Body Horror 12. ‘Laden with Human Flesh’: Dying Breed and Australia’s Engagement with its Convict Past Clare Burnett (Griffith University, Australia) 13. Killing Private Zombie: Overlord and the Twenty-first Century Military Horror Film Brian E. Crim (University of Lynchburg, USA) 14. Post-socialist Body Horror(s): On Exhaustion and Social Death in The Life and Death of a Porno Gang and A Serbian Film Andrija Filipovic (Singidunum University, Serbia) Index
  • Film, TV & radio
  • Media studies
  • Film theory & criticism
  • TV & society
  • Professional & Vocational
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