An Indie Next Pick for July 2017
"7 Best Books of July," Men's Journal
"10 Titles to Pick Up Now," O, The Oprah Magazine
"Most Anticipated Books of 2017," The Millions
"A unique, poetic critical appreciation of Marcel Marceau.... A fascinating book.... Readers will marvel not only at Marceau, but at the book itself, which displays such command of the material and such perfect pitch." —Kirkus Reviews, starred review
As a fledgling radio producer, Shawn Wen became fascinated by the one subject who seemed impossible to put on air: French mime Marcel Marceau, the internationally acclaimed “artist of silence.” At the height of his fame, Marceau was synonymous with Bip, the red-lipped, white-faced mute in a sailor suit who conjured scenes, stories, and sweeping emotion through the gestures of his body alone. Influenced by Charlie Chaplin’s Little Tramp, credited with inspiring Michael Jackson’s Moonwalk, Marceau attempted in his performances to “reveal the fundamental essences of humanity.”
Beyond Bip, Marceau was a Jewish Holocaust survivor and member of the French resistance; a bombastic iconoclast; a collector of failed marriages, masks, antique knives and doting fans; an impassioned workaholic who performed into his eighties and died deeply in debt soon after leaving the stage. In precise, jewel-like scenes and vignettes, A Twenty Minute Silence Followed by Applause pays homage to the singular genius of a mostly-forgotten art form. Drawing on interviews, archival research, and meticulously observed performances, Wen translates the gestural language of mime into a lyric written portrait by turns whimsical, melancholic, and haunting.
Shawn Wen is a writer, radio producer, and multimedia artist. Her writing has appeared in The New Inquiry, The Seneca Review, The Iowa Review, The White Review, and the anthology City by City: Dispatches from the American Metropolis (Faber and Faber, 2015). Her radio work has been broadcast on This American Life, Freakonomics Radio, and Marketplace. She is the recipient of numerous fellowships, including the Ford Foundation Professional Journalism Training Fellowship and the Royce Fellowship.
Table of Contents
Why this black box?
Young Marceau
Mangel
Pedagogy
Bip is born
Scene 1 Bip the soldier
Genealogy
Scene 2 Bip, great star of the traveling circus
M. on speech
M. on Marceau
The empty stage is a universe!
Bip at a society party
Collections: Work-related reading
M. on America, 1955
Scene 4 Bip plays David and Goliath
M. on the connective tissues
M. on his own
Scene 5 Bip attempts suicide
M. on boundaries and borders
Scene 6 Bip, the Bullfighter
M. on man's modern problems
M. on Chaplin
Marceau's show returns in fragments?
Scene 7 Bip as skater and spectator
M. on Chaplin II
Collections: Reading for a well-rounded education
Scene 8
Scene 9
Scene 10
Time passes?
M. interacts with fans
M. on mastering one's feelings
Collections: items from Japan
Collections: knives
Collections: miscellaneous
Collections: icons
Pierre Verry
But remember?
M. on failure
M. on technology
Bip as sleek creature of the deep
Scene 11
Collections: masks
Collections: zoomorphe
M. on video
Scene 12
Camille on M.
Collections: ancient dolls
Collections: paintings
M. versus M.
Collections: Japanese dolls
Scene 13
An interview
"Marcel Marceau has no private life."
Scene 14
A twenty minute silence followed by applause
Other works
Clive Barnes on materialism
Scene 15
Seeing is a way?
M. writes about M.
Bip the stoic
Scene 16
Collections: clocks
You are ever the beholder?
M. on most mimes
Collections: performing dolls
Collections: sacred dolls
M. on the king of pop
"It was the winter of-"
M. on Theriensenstadt
From Marcel and Me...
Collections: the furniture
Collections: the boxes
Critics on aging
Scene 17 Bip hunting butterflies
Bip gets left behind
M. on aging
Pere Lachaise Cemetery
Collections: pleasure reading
Collections: silverware
Collections: Roman tableware from the 2nd century
After M.
M. on the truth
Scene 18
Height:196
Width:133
Spine:15
Weight:181.00